Test section code

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• clean up with soap and water

Discover Dacryl, a Canadian-made collection of acrylic painting essentials – made for local creatives.

Dacryl Glitter Acrylic Paint is an innovative combination of coloured Mylar and acrylic emulsion. Permanent and flexible, it’s suitable for a wide range of surfaces, and is perfect for crafts, sculpture painting, and more. Add intensity and shine to your artwork with these quality, vibrantly-coloured metallic paints.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• To thin, use Tri-Art Acrylic Mediums, or water.
• Do not mix with oils, mineral spirits or turpentine. 
• Tri-Art acrylics will adhere very well to most surfaces. Adhesion to non-absorbent surfaces will be improved if roughened first with sandpaper or steel wool. 
• Tri-Art acrylic will not adhere well to oily or greasy surfaces. 
• Keep brushes and tools wet during use. 
• Clean brushes and tools with soap and water after use.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• 12 tubes of Studio XL Oil Paint (20 ml): Primary Cadmium Yellow Imit, Cadmium Yellow Deep Imit, Cadmium Light Red Imit, Magenta, Ultramarine Blue, Primary Phthalo Blue, Vivid Turquoise, Sap Green, Yellow Ochre, Burnt Umber, Payne's Grey, Ivory Black Imit
• 1 tube of Titanium White (80 ml)
• 1 4Artist marker (Black, 4 mm)
• 1 palette
• 3 canvas boards (22 x 16 cm)
• 2 plastic knives
• 1 plastic palette
• 1 bottle of refined linseed oil (75 ml)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima