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• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

Abstract is the result of three years of research and by the Sennelier expert lab team. It is a fine acrylic paint which meets all the stringent quality demands that are a guarantee of Sennelier paints. The pigment concentration gives it a creamy-to-thick consistency which compares with Heavy-Body paints, and they have incomparable covering power. The paint is a pleasure to handle with a brush, a palette knife or straight out of the pouch using a paint tip. Ease of application onto multiple surfaces makes it very popular with students, professional painters, and street artists alike.

With abstract, there are no surprises when choosing a colour. There's no difference between the colour you can see from the outside of the pouch to what you squeeze out.

The Abstract line has 60 shades, 34 of which are made from a single pigment, which include:

• 36 colours with a satin finish
• 12 colours with a high gloss finish
• 6 iridescent colours
• 6 fluorescent colours

Features :

• Multi-surface heavy-body acrylic paint
• High pigment concentration
• Heavy-duty and very transparent sachet
• Waste-free: use every last bit of paint
• Made in France in the colour laboratories of Sennelier

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Talens Odourless White Spirit (75 ml)
• Talens Painting Medium (75 ml)
• 3 charcoal sticks
• 3 hog bristle brushes (flat size 8, round size 4, filbert size 12)
• painting knife
•  wooden palette
• double palette cup

• 12 x 40 ml tubes: Permanent Yellow Light (283), Permanent Yellow Deep (285), Vermillion (311), Permanent Red Medium (377), Quinacridone Rose (366), Ultramarine Deep (506), Sevres Blue (530), Permanent Green Light (618), Emerald Green (615), Yellow Ochre (227), Burnt Umber (409), Oxide Black (735) 
• 1 x 60 ml tube: Titanium White (105)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)

• top-quality gum arabic
• honey for a smooth finish
• pure pigment is mixed with binder before being ground
• rare, resistant pigments, with a lightfastness of over 7 on the blue wool scale (max 9)