Test section code

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

• Perylene Green
• Olive Green
• Naples Yellow
• Light Red 
• Caput Mortuum Violet 
• Vandyke Brown

Winsor & Newton Professional Watercolours offer bright, vibrant colours and unrivalled performance. Watercolour, more than any other medium, reflects the unique characteristics of the pigments used – and these watercolours use only the finest pigments. Known to deliver brilliance, permanence and strength of colour. 

Winsor & Newton Professional Watercolour Half Pan Paint is for the travelling artist who does not compromise on quality when on the move.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

Winsor & Newton Professional Watercolours offer bright, vibrant colours and unrivalled performance. Watercolour, more than any other medium, reflects the unique characteristics of the pigments used – and these watercolours use only the finest pigments. Known to deliver brilliance, permanence and strength of colour. 

Winsor & Newton Professional Watercolour Half Pan Paint is for the travelling artist who does not compromise on quality when on the move.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)