Acrylic Brushes

This DeSerres paintbrush, with a very long handle and synthetic bristles, is perfect to paint on an easel with acrylics or oils.

Robust and resistant to solvents and to energetic paint strokes, the different shapes of paintbrushes meet the needs of artists and allow for a wide range of techniques. The DeSerres paintbrushes are an excellent value.

Care:

Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Flat brush featuring synthetic bristles and a long, ebony-tainted handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Raphaël brushes have been in production since 1793.

Care:

Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.
  

Angular brush featuring interlocked Sepia polyamid fibres and a long, burgundy polished handle. Angular brushes may be used on the point or the edge, and are perfect for calligraphy. Ideal for painting in acrylics.

• Sepia: Synthetic interlocked fibre. The arched shape and responsiveness of the fibre ensures an excellent response on the canvas. A more precise brushstroke when adding material, while at the same time respecting the 'gesture' of acrylics.
• Long, golden brass ferrule
• Long handle
• Rapha?l brushes have been in production since 1793.

Care:
Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.

Flat brush featuring synthetic bristles and a long, ebony-tainted handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Raphaël brushes have been in production since 1793.

Care:

Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.
  

Round brush featuring  synthetic bristles and a long, ebony-tainted  handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Rapha?l brushes have been in production since 1793.

Care:
Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.

Flat brush featuring synthetic bristles and a long, ebony-tainted handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Raphaël brushes have been in production since 1793.

Care:

Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.
  

Flat brush featuring synthetic bristles and a long, ebony-tainted handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Raphaël brushes have been in production since 1793.

Care:

Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.
  

Filbert brush featuring synthetic bristles and a long, ebony-tainted handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Raphaël brushes have been in production since 1793.

Care:
Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.

Flat brush featuring synthetic bristles and a long, ebony-tainted handle. Ideal for details, retouching and finishing touches when painting in acrylics.

• Textura = Springiness + Strength, the ideal tool for thick painting work. The range of Textura brushes is especially aimed at artists who paint using impasto techniques and want to create relief effects using this acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibres and off an excellent response to thick colours and mediums.
• Ferrule: Long, mat nickeled-brass
• Long handle
• Raphaël brushes have been in production since 1793.

Care:

Caring for paintbrushes is essential to keeping them in good working condition and to their life span.

Watercolours: dip the paintbrush in water and rinse in warm water.

Oil: dip the paintbrush in a solvent such as taltine. Clean in soapy water and rinse in warm water.

Acrylic: clean in soapy water and rinse in warm water.

Practical information:

Never let dry before cleaning.

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.