Watercolour & Gouache Paper

Acid-free and durable, Fabriano Studio Watercolour Paper is produced with a blend of cotton and lignin-free cellulose. Sourced from eco-friendly forests, this chlorine-free paper boasts internal and external sizing to ensure excellent colour absorption. Its weight renders it ideal for watercolour, gouache, acrylic and ink. Excellent price/quality ratio for students and fine arts enthusiasts. Available in different sizes, finishes and weights Technical specifications: cold pressed, lignin and acid-free cellulose, FSC certified (Forest Stewardship Council A.C.)

Fabriano Studio Watercolour Paper is made with a quality blend of cotton and lignin-free cellulose. Acid-free, it guarantees long-term resistance, and internal/external sizing ensures excellent absorption. The price/quality ratio of this paper makes it ideal for art students and drawing enthusiasts. Cold-pressed, it is suitable for watercolour, gouache, acrylic, ink and drawing. Weight: 300 g.

• 140 lb (300 gsm)
• acid-free
• cold-press
• 30 sheets

Made without optical brighteners. 

Made of acid-free and chlorine-free 100% cotton which is suitable for all liquid mediums. The paper is both internally sized and sized on the surface, which allows it to absorb well.

Glued on four sides.

Available in satin, fine, and rag grain.

Studio watercolour paper consists of a mix of cotton and lignin-free cellulose. It does not contain any acid and its neutral pH guaranties the paper’s stability over time.  
 
Studio watercolour paper is sized both throughout and on the surface which gives it an optimal absorption. Its fine grain surface is suitable for watercolours, gouache, acrylics, ink, charcoal and drawing.

Weight or thickness: 200 gsm

Studio watercolour paper consists of a mix of cotton and lignin-free cellulose. It does not contain any acid and its neutral pH guaranties the paper’s stability over time.  
 
Studio watercolour paper is sized both throughout and on the surface which gives it an optimal absorption. Its fine grain surface is suitable for watercolours, gouache, acrylics, ink, charcoal and drawing.

Weight or thickness: 200 gsm

Fabriano Studio Hot Press Glued Paper Pad is ideal for all mixed-media fine art techniques, wet or dry. The velvety matt finish allows for a high level of detail. The paper is acid free, ecological, and made from 25% cotton fiber and lignin-free cellulose pulp. Studio Watercolor Paper is FSC certified and produced using hydropower, which significantly reduces emissions of greenhouse gases in the atmosphere. Paper weight : 300 gsm Number of sheets : 12 Available sizes : 8 x 10 in, 9 x 12 in, 11 x 14 in Glued on one side

Fabriano 1264 Watercolour Pads feature cold-press, acid-free, textured watercolour paper in bright white that works for all wet techniques. Use with watercolour, gouache, acrylic, acrylic ink, pen and ink, pencil and coloured pencil. The 100% virgin, wood-pulp paper is made using hydropower and is FSC-certified.

Studio watercolour paper consists of a mix of cotton and lignin-free cellulose. It does not contain any acid and its neutral pH guaranties the paper’s stability over time.  
 
Studio watercolour paper is sized both throughout and on the surface which gives it an optimal absorption. Its fine grain surface is suitable for watercolours, gouache, acrylics, ink, charcoal and drawing.

Weight or thickness: 200 gsm

Made traditionally on a cylinder mould, ARCHES® Watercolour Paper features a harmonious natural grain. Composed of 100% cotton long fibres, it can absorb large amounts of water with limited deformation. It is gelatin-sized to the core, which gives it added strength to resist erasing and scratching without tearing or linting. This quality paper is ideal for watercolour painting, as well as other wet techniques such as ink, gouache and acrylic. Specifications: 640 g, with alkaline reserve, acid-free, no optical brightening agents, fungicidal treatment to prevent the appearance of mould.

Made of 25% cotton, this paper is perfect for students and beginners. The absence of acid and chlorine guarantees its inalterability over time. Ideal for watercolour, gouache, acrylic, ink and drawing, it features a fine grain and extra white brightness.

 

55.9 x 76.2 cm (22 x 30 in.)

Technical specifications: 25% cotton, acid and chlorine free, fine grain finish

Uses: watercolour, gouache, acrylic, ink, drawing

Fabriano Artistico Extra White Watercolour Paper is mould-made with 100% cotton fibres, guaranteeing long conservation and inalterability over time.

• Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite, drawing and printmaking
• 300 lb
• Bright white without optical bleaching
• 100% cotton
• Double-sized
• Acid-free/neutral pH
• Chlorine-free
• Four deckle edges and a watermark
  

Fabriano Studio Watercolour Paper is made with a quality blend of cotton and lignin-free cellulose. Acid-free, it guarantees long-term resistance, and internal/external sizing ensures excellent absorption. The price/quality ratio of this paper makes it ideal for art students and drawing enthusiasts. Hot-pressed, it is suitable for watercolour, gouache, acrylic, ink and drawing.

Specifications: hot press, 300 gsm, 22 x 30 in.

This waterproof support is designed to allow artists to stretch watercolour paper while they paint on it. Rigid as well as durable, this board is also light and portable. It will not bend, buckle or curl, and can be repeatedly stapled and taped. Instructions included. Made in Canada. Instructions for stretching watercolour paper 1. Soak both sides of the paper in cold water for 5 to 10 minutes, or use a sponge or a brush to wet the surface until the paper is limp. 2. Drain off excess water. 3. Holding the paper at opposite corners, position it on the Watercolour Art Board. Do not allow the paper to buckle or bend. Smooth out gently to remove air bubbles. 4. Use an ordinary office stapler to secure the paper to the Art Board. 5. Place a staple in the centre of one of the paper’s long edges. Place a staple in the centre of each short edge. Rotate the Art Board and place staple in the centre of the second long edge. 6. Starting from the centre and working your way outwards, staple one long edge placing staples at 1-inch (2.5 cm) intervals until you reach each corner. Repeat process on the second long edge and then for each short edge. Always start from the centre and staple at 1-inch (2.5 cm) intervals to the corner. 7. Allow the paper to dry overnight. Leave it attached to the Art Board while you paint. Water can be applied to the paper generously and repeatedly. Your painting will dry smooth and tight after each work session. 8. Create a mat border on your painting by applying artist’s tape directly over the staples. 9. To remove the staples, insert a thin knife blade under each staple, placing the blade between the paper and the Art Board surface, then lift up. A palette knife blade works well too. Staples can then be pulled out with fingers.

Acid-free and durable, Fabriano Studio Watercolour Paper is produced with a blend of cotton and lignin-free cellulose. Sourced from eco-friendly forests, this chlorine-free paper boasts internal and external sizing to ensure excellent colour absorption. Its weight renders it ideal for watercolour, gouache, acrylic and ink. Excellent price/quality ratio for students and fine arts enthusiasts. Available in different sizes, finishes and weights Technical specifications: cold pressed, lignin and acid-free cellulose, FSC certified (Forest Stewardship Council A.C.)

Fabriano 1264 Watercolour Pads feature cold-press, acid-free, textured watercolour paper in bright white that works for all wet techniques. Use with watercolour, gouache, acrylic, acrylic ink, pen and ink, pencil and coloured pencil. The 100% virgin, wood-pulp paper is made using hydropower and is FSC-certified.

• 100% cotton long fibres
• natural grain
• gelatin-sized to the core

This waterproof support is designed to allow artists to stretch watercolour paper while they paint on it. Rigid as well as durable, this board is also light and portable. It will not bend, buckle or curl, and can be repeatedly stapled and taped. Instructions included. Made in Canada. Instructions for stretching watercolour paper 1. Soak both sides of the paper in cold water for 5 to 10 minutes, or use a sponge or a brush to wet the surface until the paper is limp. 2. Drain off excess water. 3. Holding the paper at opposite corners, position it on the Watercolour Art Board. Do not allow the paper to buckle or bend. Smooth out gently to remove air bubbles. 4. Use an ordinary office stapler to secure the paper to the Art Board. 5. Place a staple in the centre of one of the paper’s long edges. Place a staple in the centre of each short edge. Rotate the Art Board and place staple in the centre of the second long edge. 6. Starting from the centre and working your way outwards, staple one long edge placing staples at 1-inch (2.5 cm) intervals until you reach each corner. Repeat process on the second long edge and then for each short edge. Always start from the centre and staple at 1-inch (2.5 cm) intervals to the corner. 7. Allow the paper to dry overnight. Leave it attached to the Art Board while you paint. Water can be applied to the paper generously and repeatedly. Your painting will dry smooth and tight after each work session. 8. Create a mat border on your painting by applying artist’s tape directly over the staples. 9. To remove the staples, insert a thin knife blade under each staple, placing the blade between the paper and the Art Board surface, then lift up. A palette knife blade works well too. Staples can then be pulled out with fingers.