Liquitex

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

Premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint.

Texture: Fluid
Sheen: Matte
Relative Opacity: Opaque

• Non-yellowing
• Flexible and non-cracking
• Provides the perfect 'tooth' and adhesion to a wide variety of surfaces such as canvas, paper and wood
• Excellent base coat primer for many applications, such as canvases, murals, etc.
• One coat is usually all that is required.

Application :
Use undiluted or thin up to 25% with water. When thinning more that 25%, use an equal mixture of water and Liquitex Matte Medium to thin gesso. Tint with up to 10% Liquitex Soft Body or Heavy Body Artist Colours.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

Large, comfortable non-slip matte finished handle crafted from the highest quality wood has been paired with top-of-the-line synthetic bristle heads. The result is artist quality brushes that offer excellent durability in large scaled applications that require rugged tools. Ideal for covering wide areas in one movement and for varnishing large surfaces or walls.

Freestyle Large Scale Brushes meet the expanding needs of acrylic artists working in grandiose scales. 

Brush specifications:

• Sizes: 4 inch, 6 inch and 8 inch widths

• Ferrule: Stainless steel

• Handle: Contoured Black Satin

• Brush Type: Synthetic nylon

Techniques & Applications:

• Large surface covering

• Varnishing

Care:

Caring for paintbrushes is essential to prolonging their lifespan by keeping them in good working condition.
  

Acrylic: clean in soapy water and rinse in warm water.
 

Practical information:
 

Never let dry before cleaning.
 

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• interior and exterior use
• 100% acrylic polymer varnish
• adjusts and unifies surface sheen
• protects and resists dirt retention
• increases brightness and colour saturation
• resists discolouration
• semi-opaque when wet
• transparent when dry

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

• ultra fluid
• highly pigmented
• dye-dree
• non-fading
• satin finish
• permanent when dry

• Phthalocyanine Blue Red Shade 
• Phthalocyanine Blue Green Shade
• Cerulean Blue Hue
• Turquoise Deep
• Turquoise
• Phthalocyanine Green Blue Shade

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

Large, comfortable non-slip matte finished handle crafted from the highest quality wood has been paired with top-of-the-line synthetic bristle heads. The result is artist quality brushes that offer excellent durability in large scaled applications that require rugged tools. The long handle is easy to grip for quick gestural strockes on large-scale work, or reaching high places.

Freestyle Large Scale Brushes meet the expanding needs of acrylic artists working in grandiose scales. 

Brush specifications:

• Sizes: 1 inch, 2 inch, 3 inch and 4 inch widths

• Ferrule: Stainless steel

• Handle: Contoured Black Satin

• Brush Type: Synthetic nylon

Techniques & Applications:

• Large surface covering

• Varnishing

• Broad gestural strokes

Care:

Caring for paintbrushes is essential to prolonging their lifespan by keeping them in good working condition.
  

Acrylic: clean in soapy water and rinse in warm water.
 

Practical information:
 

Never let dry before cleaning.
 

Using a hydrating paintbrush cleaner after using taltine or soap prevents bristles from drying and keeps the supple shape of the paintbrush.

• Matte Pouring Medium
• Iridescent Pouring Medium
• Gloss Pouring Medium

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• medium viscosity
• fine art pigments
• satin finish
• easy blending
• range of opacities

• all painting techniques
• sketching & underpainting
• colour theory/mixing
• collage and mixed media

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

Liquitex Heavy Body Paints have a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking techniques. The high pigment load produces rich, brilliant, permanent colours, which can be mixed easily.

This set contains 6 x 22 ml bottles in the following classic colours: Mars Black, Titanium White, Naphthol Crimson, Yellow Light Hansa, Phthalocyanine Green Blue Shade, Ultramarine Blue and Green Shade.