Liquitex

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Iridescent Rose Gold
• Iridescent Black
• Iridescent Bright Gold
• Iridescent Bright Silver
• Iridescent White
• Iridescent Rich Bronze

• increases viscosity to create an oil paint-like consistency that holds knife and brush marks
• increases surface gloss, colour depth and transparency
• extends your colour further without affecting acrylic stability
• slows drying time
• maintains paint adhesion, durability and archival quality

• fully intermixable with all Liquitex products
• can be thinned by diluting with up to 25% water (distilled water will give best results)
• mix as much as you like into acrylic colour to increase viscosity and transparency (the more you add, the more transparent your colour will become)
• semi-opaque when wet, transparent when dry (when used very thickly it may dry semi-opaque)
• apply with a brush as a collaging glue and fixative

• do not vigorously over-brush as this can result in a foggy, hazy look when dry
• do not use with any non-acrylic compatible media

• 100% acrylic polymer varnish
• Water soluble when wet
• Good chemical and water resistance when dry
• Non-tacky
• Hard, yet flexible surface
• Resistant to dirt retention
• Resists discolouring due to humidity, heat and ultraviolet light (non-yellowing, non-fogging)
• Depending upon substrate, allows moisture to pass through (breathable)
• Not for use over oil paint
• Protects acrylic colour
• Archival
• For interior and exterior use

• Apply as a final varnish over dry acrylic paint.
• Varnish surface and environment must be clean, dry and dust free.
• Acrylic paintings must be completely dried and cured for 48-72 hours before varnishing. Thicker acrylic applications may take more time to cure.
• Application may be done by brush or spray. Generally a sprayed application will be thinner, smoother and more even. Rolling or sponging application is not recommended.

• Use a wide, soft hair brush. Generally, a 1 to 4 inch flat brush is used, depending on the surface area.
• Apply Liquitex varnish in 1-3 thin coats, rather than 1 thick coat. A thick coat will take longer to dry, may dry cloudy, may drip or sag during application and has a greater chance of showing brush strokes when dry.
• When applying Liquitex Matte Varnish, apply no more than 1-2 thin coats. A thick application may result in cloudiness when dry. If more than 2 coats are desired, first varnish with gloss varnish until desired thickness is achieved and then apply a final coat of matte varnish.
• Canvas should be placed horizontally in order to prevent the varnish from running. After varnishing, the surface should be shielded with a protective "tent". This will prevent any dust or airborne particles from settling into varnish as it dries.
• Apply Liquitex varnish in slightly overlapping pattern that covers entire artwork. Apply in horizontal and vertical brush strokes, so that entire area is evenly coated.
• Do not rework areas you might miss as the brush could pick up partially dried varnish and cause clouding. If areas are missed, wait until the varnish is dry and apply another coat.