Mediums, Varnishes & Resins

A versatile cold wax medium made from pure wax and damar resin. Popular as a protective topcoat for sealing and finishing a variety of media from oil paintings to collage, Dorland’s Wax is especially popular as a varnish for watercolour and gouache paintings. This wax provides a durable waterproof finish, adding depth to colour and allowing for glassless framing and display. The finish is malleable: leave it rough for a matte effect or buff with a rag after drying for a uniform high gloss.

There are so many things you can do with epoxy resin: it can be used to coat and protect artwork, photos or furniture, to make jewellery or sculptures...the sky’s the limit! Simply mix the two components in equal parts, carefully spread on the surface to be coated and let cure to obtain a beautiful high-gloss piece that will be protected from moisture and scratching.

Includes two bottles: 1 resin and 1 hardener

Non-toxic, zero VOC

There are so many things you can do with epoxy resin: it can be used to coat and protect artwork, photos or furniture, to make jewellery or sculptures...the sky’s the limit! Simply mix the two components in equal parts, carefully spread on the surface to be coated and let cure to obtain a beautiful high-gloss piece that will be protected from moisture and scratching.

Includes two bottles: 1 resin and 1 hardener

Non-toxic, zero VOC

There are so many things you can do with epoxy resin: it can be used to coat and protect artwork, photos or furniture, to make jewellery or sculptures...the sky’s the limit! Simply mix the two components in equal parts, carefully spread on the surface to be coated and let cure to obtain a beautiful high-gloss piece that will be protected from moisture and scratching.

Includes two bottles: 1 resin and 1 hardener

Non-toxic, zero VOC

This clear medium increases the granulation of colour, giving a mottled appearance to colours which usually produce an even wash. It also enhances the effect of more granulated colours. For maximum effect, dilute colour generously with medium alone.

It used to be that watercolor painters had few options beyond white paper or a few colored boards. Now you can turn almost any surface into a toned or black ground for watercolor painting, as well as collage, pastels, pencils and mixed media work.

The titanium white watercolour ground, as well as turning any surface into watercolor paper, allows you to rescue areas within a painting done on watercolor paper! It’s so easy to apply this ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface.

Just brush this heavily pigmented, acrylic-based ground onto absorbent and non-absorbent surfaces (for best results abrade the surface with sandpaper or steel wool before brushing on the ground.)

One coat works on most materials—allow the surface to cure for 24 hours before painting. Once dry, it will not reactivate. This product can be thinned up to 10% with water.

Quantity: 16 oz

This Krylon spray protects work from humidity. Fingerprints, and prevents discolouration. It is permanent, does not yellow and dries quickly. For use on pencil, charcoal or ink drawings, watercolour paintings and photographs.

• Permanent, protective matte finish
• Non-yellowing
• Moisture-resistant
• Dries to the touch in 10 minutes
• Dries sufficiently for handling within 3 hours
   

• increases viscosity to create an oil paint-like consistency that holds knife and brush marks
• increases surface gloss, colour depth and transparency
• extends your colour further without affecting acrylic stability
• slows drying time
• maintains paint adhesion, durability and archival quality

• fully intermixable with all Liquitex products
• can be thinned by diluting with up to 25% water (distilled water will give best results)
• mix as much as you like into acrylic colour to increase viscosity and transparency (the more you add, the more transparent your colour will become)
• semi-opaque when wet, transparent when dry (when used very thickly it may dry semi-opaque)
• apply with a brush as a collaging glue and fixative

• do not vigorously over-brush as this can result in a foggy, hazy look when dry
• do not use with any non-acrylic compatible media

• 100% acrylic polymer varnish
• Water soluble when wet
• Good chemical and water resistance when dry
• Non-tacky
• Hard, yet flexible surface
• Resistant to dirt retention
• Resists discolouring due to humidity, heat and ultraviolet light (non-yellowing, non-fogging)
• Depending upon substrate, allows moisture to pass through (breathable)
• Not for use over oil paint
• Protects acrylic colour
• Archival
• For interior and exterior use

• Apply as a final varnish over dry acrylic paint.
• Varnish surface and environment must be clean, dry and dust free.
• Acrylic paintings must be completely dried and cured for 48-72 hours before varnishing. Thicker acrylic applications may take more time to cure.
• Application may be done by brush or spray. Generally a sprayed application will be thinner, smoother and more even. Rolling or sponging application is not recommended.

• Use a wide, soft hair brush. Generally, a 1 to 4 inch flat brush is used, depending on the surface area.
• Apply Liquitex varnish in 1-3 thin coats, rather than 1 thick coat. A thick coat will take longer to dry, may dry cloudy, may drip or sag during application and has a greater chance of showing brush strokes when dry.
• When applying Liquitex Matte Varnish, apply no more than 1-2 thin coats. A thick application may result in cloudiness when dry. If more than 2 coats are desired, first varnish with gloss varnish until desired thickness is achieved and then apply a final coat of matte varnish.
• Canvas should be placed horizontally in order to prevent the varnish from running. After varnishing, the surface should be shielded with a protective "tent". This will prevent any dust or airborne particles from settling into varnish as it dries.
• Apply Liquitex varnish in slightly overlapping pattern that covers entire artwork. Apply in horizontal and vertical brush strokes, so that entire area is evenly coated.
• Do not rework areas you might miss as the brush could pick up partially dried varnish and cause clouding. If areas are missed, wait until the varnish is dry and apply another coat.

This colourless liquid is ideal for masking specific areas of work. Applied with a paintbrush, it can be used with watercolours, drawing inks, India ink and coloured pencils.

•    Do not apply on damp or soft—sized paper. 
•    Remove as soon as possible after application.
•    Brushes can be cleaned if washed immediately with water after use.

COLORBERRY offers a wide selection of top-quality resin products to make your resin art truly unique. Proudly made in Germany.

COLORBERRY Pigment Pastes are so easy to use. They come in an airless micro-dispenser for easy dispensing, and also so that the liquid doesn’t dry out. No need for dosing sticks to get the perfect colour density – only a few pumps!

Unlike other resin pigment pastes on the market, COLORBERRY pastes are eco-friendly, as they are ASTM-D4236 certified and not formulated with toxic epoxy ingredients. All pigment types are compatible with COLORBERRY OMG Sets. Contains 30 ml.

Use polymer clay, modelling clay, resin, JESMONITE, melted wax, cold porcelain, sugar paste or plaster: the advantage of this mould is that it is made of silicone, which means that it is very flexible! You can therefore easily remove your creation, and you can even put it in an oven to harden your creation. A must-have for all DIYers.

Use polymer clay, modelling clay, resin, JESMONITE, melted wax, cold porcelain, sugar paste or plaster: the advantage of this mould is that it is made of silicone, which means that it is very flexible! You can therefore easily remove your creation, and you can even put it in an oven to harden your creation. A must-have for all DIYers.

This Artist's Propane Torch Head gives you full control when using a flame. Simply attach the torch head to any standard propane tank and turn the flame on with the push of a button, then control it with an easy-to-use dial. It’s the perfect accessory for creative projects such as epoxy resin-coated artwork and pyrography!

Use polymer clay, modelling clay, resin, JESMONITE, melted wax, cold porcelain, sugar paste or plaster: the advantage of this mould is that it is made of silicone, which means that it is very flexible! You can therefore easily remove your creation, and you can even put it in an oven to harden your creation. A must-have for all DIYers.

Use polymer clay, modelling clay, resin, JESMONITE, melted wax, cold porcelain, sugar paste or plaster: the advantage of this mould is that it is made of silicone, which means that it is very flexible! You can therefore easily remove your creation, and you can even put it in an oven to harden your creation. A must-have for all DIYers.