Paint

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

Discover a range of products made in Canada, featuring all the essentials for acrylic painting, designed for local creatives.

Student-grade acrylic is ideal for covering large surfaces and offers excellent value for money. Odorless and creamy, it is easy to work with and meets the needs of artists.

Suitable for a variety of surfaces, including canvas, cardboard, wood, and properly primed metal. It is ideal for murals, backgrounds, furniture, and student art projects.

Tips:

• Clean brushes with soapy water after use.
• Drying time: approximately 15 minutes for a thin coat and up to 3 hours for a thick coat (approximately ¾ in.).

Discover a range of products made in Canada, featuring all the essentials for acrylic painting, designed for local creatives.

Student-grade acrylic is ideal for covering large surfaces and offers excellent value for money. Odorless and creamy, it is easy to work with and meets the needs of artists.

Suitable for a variety of surfaces, including canvas, cardboard, wood, and properly primed metal. It is ideal for murals, backgrounds, furniture, and student art projects.

Tips:

• Clean brushes with soapy water after use.
• Drying time: approximately 15 minutes for a thin coat and up to 3 hours for a thick coat (approximately ¾ in.).

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

Découvrez une gamme de produits fabriquée au Canada comprenant tous les essentiels pour peindre à l'acrylique, pensée pour les créatifs d’ici.

L’acrylique qualité étude est idéale pour couvrir de grandes surfaces et offre un excellent rapport qualité-prix. Sans odeur et onctueuse, elle est facile à travailler et répond parfaitement aux besoins des artistes.

Elle convient à de nombreux supports, notamment la toile, le carton, le bois et le métal lorsqu’il est correctement apprêté. Elle est idéale pour les murales, les fonds, le mobilier et les projets étudiants.

Conseils :

• Nettoyer les pinceaux à l’eau savonneuse après usage.
• Temps de séchage : environ 15 minutes pour une couche mince et jusqu’à 3 heures pour une couche épaisse (environ ¾ po).

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• 4 Colorex markers (Light Yellow, Turkish Red, Turquoise Blue, Spring Green)
• 4 Colorex bottles (20 ml; Carmine, Cosmos Blue, Pink Beige, Sepia)
• 1 water reservoir brush 
• 1 fine felt-tip pen (0.2 mm, Black)

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.