Test section code

Winsor & Newton Professional Watercolours offer bright, vibrant colours and unrivalled performance. Watercolour, more than any other medium, reflects the unique characteristics of the pigments used – and these watercolours use only the finest pigments. Known to deliver brilliance, permanence and strength of colour. 

Winsor & Newton Professional Watercolour Half Pan Paint is for the travelling artist who does not compromise on quality when on the move.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay