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• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• To thin, use Tri-Art Acrylic Mediums, or water.
• Do not mix with oils, mineral spirits or turpentine. 
• Tri-Art acrylics will adhere very well to most surfaces. Adhesion to non-absorbent surfaces will be improved if roughened first with sandpaper or steel wool. 
• Tri-Art acrylic will not adhere well to oily or greasy surfaces. 
• Keep brushes and tools wet during use. 
• Clean brushes and tools with soap and water after use.

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

Studio brand acrylics by Pébéo are ideal products for students. The colours blend well, making it easy to obtain any desired shade. Certain colours are iridescent for creative and original effects.

Studio brand acrylics by Pébéo come in a wide variety of satin-finish colours, and are lightfast and do not yellow.

Colours:62 shades.

Supports: Most surfaces, including canvas, cardboard, wood and metal.

Tool maintenance:Clean brushes with soapy water.

Drying time:About 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ ".)

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• Avoid excessive temperatures for long periods of time.
• Short-bristled sable brushes are recommended for watercolours because of their excellent retention capacity and softness.

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima

• Highest quality finely ground pure pigments 
• High load pigmentation 
• Unsurpassed brightness and high chroma  
• Excellent opaqueness and covering power  
• Flows easily and dries quickly and evenly to a matt opaque finish 
• Works well on all non-greasy surfaces including glass, paper mâché and clay 
  

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

• Vibrant colours: a wide range of vibrant colours that remain visually appealing after drying
• High-quality pigments: made with carefully selected pigments and water-soluble gum Arabic 
• Rich colour density: increased pigment content for rich, dense colours.
• Chemical-free: manufactured without chemical additives like white resin
• Smooth application: adheres quickly to brushes for smooth, uniform strokes 
• Excellent coverage: provides flawless coverage and high saturation

• 004 Carmine
• 008 Scarlet Red
• 022 Permanent Yellow Orange
• 026 Permanent Yellow
• 049 Permanent Green Light
• 064 Viridian
• 083 Turquoise Blue
• 096 Ultramarine Light
• 115 Violet
• 139 Burnt Sienna
• 151 Ivory Black
• 162 Permanent White

• High viscosity
• Highly pigmented
• Satin finish
• Holds knife marks and brush strokes

• All painting techniques
• Impasto
• Texturizing with brush or palette knife
• Alla prima