Mediums, Varnishes & Resins

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Bindex medium - studio - 100ml

Pebeo Canada

$9.99

In stock Low stock Unavailable

This non-yellowing binder can be used with pigment to prepare your own acrylic colours. Can also be used as a collage adhesive or for producing glazes. Translucent and indelible, it provides a supple satin film.

Top Coat Hard Gloss - 120ml

Tri-Art

$12.99

In stock Low stock Unavailable

Tri-Art's Hard Top Coat finishing medium provides artists with a very hard, scratch resistant, yet semi-flexible top coat for application onto paintings, sculpture and crafts. This durable water-based product dries to a glass-clear and non-tacky finish. It is washable, scratch resistant and virtually non-yellowing. Top Coat is self-leveling and can be brushed, poured, or sprayed to produce a thin protective finish. This product remains semi-flexible even in multiple layers.

Finish: Gloss

Made in Canada

Lightweight Modeling Paste - 3.78L

Liquitex

$149.99

In stock Low stock Unavailable

Liquitex light modeling paste is a light load coated with acrylic resin which allows for the creation of three-dimensional shapes. It is designed to be mixed with any acrylic colour, but may make it paler depending on the quantity added.

Of thick consistency and of matte and opaque rendering, Liquitex light modeling paste dries slowly and results in a very hard surface. It may be worked with an artist’s knife when wet, sanded, sculpted and painted once dry. It can be mixed with other textured gels and mediums to create a range of textures.
For sale in 8 oz/237 ml, 16 oz/475 ml and 32 oz/946 ml formats.
Supports : suitable for all rigid supports.
Important information :
Do not mix with oil.
Apparition of cracks if the application is on a flexible surface.
Test before use.
Use :
Thick textures for rigid supports.

Watercolour Ground Cold Press Finish - 250ml

Tri-Art

$12.99

In stock Low stock Unavailable

Tri-Art cold press watercolour ground makes an excellent ground for watercolours and dry media applications. If spread smoothly and evenly with a spreading tool, the finish and appearance is similar to cold press watercolour paper. Watercolours may be more easily reworked, and masking fluids adhere and lift easily with no tearing. Formulated with 100% acrylic emulsion to ensure that over time it will remain flexible, not flake, crack or crumble from the surface. Contains titanium dioxide for a clean, very white and reflective surface for colours. Made in Canada

Medium Gel Ultra Matte - 237ml

Liquitex

$24.99

In stock Low stock Unavailable

Liquitex ultra-matte medium allows for thinning the acrylic paint without modifying either its opacity or its shade.

Liquitex ultra-matte medium allows for the doubling of the acrylic paint volume and produces results which would be impossible to obtain with other mediums. Of less viscous consistency than the gel, this medium allows working impastos and dries into a lightly satiny matte finish.

Supports : suitable for all supports.

Use :
As a binder to make economical paint from powdered pigments.
Important information :
Do not dilute by more than 25% with water.
Added to paint at a level in excess of 50%, it can lighten colours.
Do not mix with oil.

Fixative Spray - 400ml

Winsor & Newton

$19.99

In stock Low stock Unavailable

This superior quality fixative protects from smudging and dust. Ideal for use on charcoal, pastel, pencil and chalk drawings. Contains 400 ml.

Medium Gel Matte - 237ml

Liquitex

$24.99

In stock Low stock Unavailable

Liquitex gel allows for matte rendering of colours without modifying their viscosity. This medium increases the volume of acrylic paints.
Liquitex gel must be added to acrylic colours and retains brushstrokes. It delays the lapping time and dries more quickly than the liquid medium. It is slightly translucent after drying.

Supports : suitable for all supports.
Uses :
As a binder for making economical paint from powdered pigments.
As canvas preparation.
To extend the mix of colours.
Important information :
Do not dilute by more than 25% with water.
Added to paint at a level in excess of 50%, it can lighten colours.
Do not mix with oil.

Gesso Basics White- 1.39L

Liquitex

$39.99

In stock Low stock Unavailable

An opaque white gesso to create the ideal absorbency, stiffness and adhesion for paint application. Use it with acrylic and oil paints or mediums, chalk and oil pastels, graphite, pencil and charcoal. Suitable for raw canvas, hardboard, paper, wood and non-oily, porous supports.

Retarder - 16 oz

Golden

$46.99

In stock Low stock Unavailable

Golden brand retarder is an additive for acrylics, used to increase drying time, enabling artists to work for longer periods on their projects. It also reduces hardening of colours on a palette, and is useful for work-on-damp techniques. Available in 120-ml (4 oz) and 250-ml (8 oz) sizes.

Practical information: Delicately mix no more than 15% of retardant with acrylics.

Retouch varnish - oil colours - 75ml

Pebeo Canada

$16.99

In stock Low stock Unavailable

This varnish is used in smaller areas while painting, to correct coats which sometimes accidently produce an unwanted matt sheen. It will unify the brilliance and correct the problem. It is always used in fine coats, dries rapidly (about 15 minutes), and gives temporary protection. The thermoplastic film ensures the possibility to restore.

Medium Gel Stucco - 237ml

Liquitex

$24.99

In stock Low stock Unavailable

Liquitex Ceramic Stucco creates a cement-like, fine-grade texture with a light gray, matte finish. Highly flexible and adhesive, it will not chip or crack on canvas. It can be used on its own, mixed with colour, or overpainted once dry. Apply thickly to create bold 3D effects, or finely to give surface texture.

Glazing Medium - 118ml

Liquitex

$16.99

In stock Low stock Unavailable

Liquitex glazing medium is used for maximum transparency, luminosity, and depth.

It thins the colour, makes it easier to apply, and dries quickly. The best results are obtained with transparent acrylic paints. Transparency varies by pigment.

Not suitable for use with oil paints.
Do not dilute with water.

Bindex medium - studio - 250ml

Pebeo Canada

$14.99

In stock Low stock Unavailable

Uv protect varnish spray - 200ml

Pebeo Canada

$16.99

In stock Low stock Unavailable

Pébéo's universal anti-UV solvent phase varnish has a satin finish and is transparent and non-yellowing. It significantly reduces the effect of UV light on oil, acrylic, gouache, watercolour, ink and pastel colours. Recommended for protecting illustrations created with water-based Colorex inks.

Instructions for use:

Apply to dry colours in several thin coats, and test beforehand. Shake can well before use. Spray 20-30 cm from the surface. Dries in approximately 10-15 minutes. Empty the nozzle after use (can upside down).

Glazing Medium - 473ml

Liquitex

$39.99

In stock Low stock Unavailable

Picture varnish spray - acrylic colours - 400ml - gloss

Pebeo Canada

$24.99

In stock Low stock Unavailable

This varnish is ideal for protecting ink and gouache illustrations from rubbing, humidity and ultra-violet rays. It will also increase the intensity and depth of the colours. Available formats : 200 ml and 400 ml

Odourless solvent - 225ml

Deserres

$7.99

In stock Low stock Unavailable

Odourless, colourless turpentine substitute, ideal for diluting oil colours as well as cleaning brushes and accessories. Does not affect drying time of paints.

Despite being odourless and producing fewer fumes than true turpentine, solvents are still considered to be toxic and require good ventilation.

Contents harmful. Do not swallow. Do not breathe fumes.

Keep out of reach of children.

Wear a mask.

Use in a well-ventilated area.

Keep away from flames.

Deserres solvant

Modeling Gel Mat - 250ml

Tri-Art

$14.99

In stock Low stock Unavailable

Modeling Gel is an ultra-thick gel capable of extreme texture. It can also be used to extend and thicken the viscosity of colours. It is best applied with spreading tools and is ideal for collaging heavy objects and creating heavy impasto. This medium stays flexible even in thick applications. To maintain optimum clarity, build up heavy textures by applying the gel in relatively thin layers and allow each to dry sufficiently that the surface becomes clear in between each coat.Made in Canada

Pure pigment - 75 ml - yellow ochre

Demco Encouleurs Inc.

$14.99

In stock Low stock Unavailable

Create your own colours with these highly concentrated, light-fast pigments, for use with any water-based paint and medium. Use them with mediums to create custom colours, or add them to existing colours to increase their intensity or create a special hue.

What are dry pure pigments?

Pure dry pigments are suitable for artists who want to mix their own paint or pastel, rather than using premixed versions. They are essentially colours reduced to their purest form, without any medium or binder. This allows artists to be involved in their creative process from the start and to add colours to any type of medium, as well as mix original colours.

Specifications:

add in sparing amounts and mix thoroughly
mixing with polyurethane will create a rich colour but will not change the colour of the pigment; it can then be used to paint and will produce a translucent rich colour
pigments can be mixed with any paint to enrich or change colour (e.g. if you have red paint and wish to create purple, you could add a blue pigment)
pigments can be mixed with melted wax for impasto painting or candle-making wax
simple white glue can be used as a binder for a variety of crafting ideas

Open acrylic gloss medium - 8 oz

Golden

$24.99

In stock Low stock Unavailable

Open Acrylic gloss medium is formulated to a lower viscosity than OPEN Acrylic Colors and is used to maintain properties when a more fluid mixture is desired to increase flow.

Mix any quantity of gel or medium with Open acrylics in order to extend the paint or modify its sheen, viscosity, or transparency.

The joy of Open acrylics and mediums is that they can be worked for extended periods of time which is excellent for blending, getting clean edges, and for detail work.

Throughout the painting process, the paint viscosity will pass through several stages: at first it will be as it comes out of the tube, and the paint tack will slowly increase, in which case subsequent applications of any Open products or water can continue to reopen layers and allow the artist to continue blending.

The Open series are best used in thin layers. Applications of more than 1/16 will result in: excessively long drying periods, persistently soft, higher tack feel, and translucent layers that remain cloudy. If it is necessary to apply paint in thick layers, it is recommended to use Golden Heavy Body acrylics.

Available in this series:

Golden Open Thinner: multipurpose thinner and retarder.

Golden Open Gloss Gel: has the same viscosity as the Open paints.

Satin Varnish - 946ml

Liquitex

$64.99

In stock Low stock Unavailable

Liquitex Satin Varnish dries clear to a flexible, non-tacky, hard surface that will not hold brush marks. Offering excellent levelling properties, it is permanent and protects against UV damage. Suitable for acrylic paints and mediums, as well as both flexible and rigid surfaces.

Specifications:

interior and exterior use
100% acrylic polymer varnish
adjusts and unifies surface sheen
protects and resists dirt retention
increases brightness and colour saturation
resists discolouration
semi-opaque when wet
transparent when dry

Pure pigment - 75 ml - ultramarine blue

Demco Encouleurs Inc.

$19.99

In stock Low stock Unavailable

What are dry pure pigments?

Specifications:

add in sparing amounts and mix thoroughly
mixing with polyurethane will create a rich colour but will not change the colour of the pigment; it can then be used to paint and will produce a translucent rich colour
pigments can be mixed with any paint to enrich or change colour (e.g. if you have red paint and wish to create purple, you could add a blue pigment)
pigments can be mixed with melted wax for impasto painting or candle-making wax
simple white glue can be used as a binder for a variety of crafting ideas

Silicone oil – 120ml

Demco Encouleurs Inc.

$14.99

In stock Low stock Unavailable

Use Demco silicone oil to create cell effects in your next acrylic artwork. Just add a few drops of this painting medium to a mixture of pouring medium and fluid acrylics. Then pour the mix onto your painting surface, and there you have it!

Pure pigment - 75 ml - iridescent white

Demco Encouleurs Inc.

$19.99

In stock Low stock Unavailable

What are dry pure pigments?

Specifications:

add in sparing amounts and mix thoroughly
mixing with polyurethane will create a rich colour but will not change the colour of the pigment; it can then be used to paint and will produce a translucent rich colour
pigments can be mixed with any paint to enrich or change colour (e.g. if you have red paint and wish to create purple, you could add a blue pigment)
pigments can be mixed with melted wax for impasto painting or candle-making wax
simple white glue can be used as a binder for a variety of crafting ideas

Drawing gum - 0.7mm

Pebeo Canada

$12.99

In stock Low stock Unavailable

All of drawing gum’s properties in a handy, easy-to-use tool that allows for quick and precise application. The sturdy 0.7 mm nib gives you extra line thickness control for smooth, unbroken lines. Use removable liquid drawing gum to protect specific areas from ink or paint during the creative process.

Clear Gesso - 250ml

Tri-Art

$14.99

In stock Low stock Unavailable

Clear Gesso is similar to traditional gesso. It will seal but it will not hide the surface being prepared, for example, if painting a piece of wood, the grain will still be visible even after the product is applied. In addition, clear gesso can be tinted by adding a small quantity of transparent acrylic paint.

It dries to a translucent, matte, and lightly toothy finish that can be sanded.

Made in Canada

Watercolor Ground Titanium White -118ml

Daniel Smith

$16.99

In stock Low stock Unavailable

It used to be that watercolor painters had few options beyond white paper or a few colored boards. Now you can turn almost any surface into a toned or black ground for watercolor painting, as well as collage, pastels, pencils and mixed media work.

The titanium white watercolour ground, as well as turning any surface into watercolor paper, allows you to rescue areas within a painting done on watercolor paper! It’s so easy to apply this ground over an area within a painting that needs rescuing-or for working on different compositional areas. You can also lift and scrub without damaging the painting surface.

Just brush this heavily pigmented, acrylic-based ground onto absorbent and non-absorbent surfaces (for best results abrade the surface with sandpaper or steel wool before brushing on the ground.)

One coat works on most materials-allow the surface to cure for 24 hours before painting. Once dry, it will not reactivate. This product can be thinned up to 10% with water.

Quantity: 4 oz

Gesso Clear - 473ml

Liquitex

$39.99

In stock Low stock Unavailable

Liquitex transparent gesso primes rigid supports while preserving their natural aspect. It provides a rough surface adapted to a large diversity of mediums and allows the work surface to show through.
Liquitex transparent gesso is particularly suitable for pastel or charcoal works, but also for oil, acrylic, gouache and casein. It allows for a better colour adherence and can be coloured.
Translucent once dry, it is permanent, does not crack, is non-yellowing, flexible and waterproof. This gesso is ideal for painting on coloured surfaces and constitutes an excellent background for oil and acrylic paintings.
Liquitex transparent gesso is offered in 4 oz/120 ml, 8 oz/250 ml, 16 oz/500 ml and 32 oz/1 l formats.
Drying time : at least 24 hrs before painting.
Supports : canvas, cardboard, paper, wood and other non-greasy surfaces.
Important information :
Do not mix with oil.
Is water soluble.

Odourless solvent - 125ml

Deserres

$6.99

In stock Low stock Unavailable

Wear a mask.

Use in a well-ventilated area.

Keep away from flames.

Deserres solvant

Acrylic modeling paste - studio - 100ml

Pebeo Canada

$9.99

In stock Low stock Unavailable

Heavy modeling paste is an opaque, heavily textured paste for relief works and impasto. It is easily applied with a palette knife and can be mixed with acrylic colours when wet. It retains its shape during application and can be sculpted and painted once dry. Perfectly retains its volume without cracking. Matt finish.

A light version of modeling paste is also available, with many of the same properties but without the weight that can affect large works or lighter supports.

Textile Medium - 118ml

Liquitex

$16.99

In stock Low stock Unavailable

Liquitex Fabric Medium lets you use acrylic colour on textiles, without cracking or bleeding. It makes paint more adhesive, flexible and workable on all kinds of textiles. It prevents colour bleeding into fabric weave and lowers viscosity of heavier body paints, giving increased flow.

Tips:

Doesn’t require heat setting
Can be machine or hand-washed once dry

Medium Gel Drying Retarder - 237ml

Liquitex

$24.99

In stock Low stock Unavailable

Liquitex Slow-Dri Gel Additive slows drying time by 40%, without affecting colour opacity, so you can work paint for longer. It maintains the same level of transparency, as well as thickens and increases viscosity.

Open acrylic gloss medium - 4 oz

Golden

$16.99

In stock Low stock Unavailable

Formulated with 100% acrylic polymer dispersion, and engineered to have the same optimized working time as Golden OPEN Acrylics, the OPEN Acrylic Gloss Medium will stay wet on the palette for extended periods without skinning over. It can be used to extend paint, regulate transparency, create glazes, increase gloss, reduce viscosity, or improve adhesion and film integrity. A medium with endless creative possibilities! Contains 4 oz.

Powdered Pigment Pearl Ex Pumpkin Orange

Jacquard

$5.99

In stock Low stock Unavailable

Pearl Ex Powdered pigments are intense and create long-lasting pearlescent effects. Mix them into acrylics, oils, inks, epoxy, glues, casting resins, clay, varnishes, mediums, gum Arabic and pretty much anything else. Add a little magic to your creativity.

Liquin Impasto - 200ml

Winsor & Newton

$32.99

In stock Low stock Unavailable

A quick drying, semi-gloss medium which thickens slowly & extends tube colour retaining crisp textures & brush marks without any visible leveling.

Speeds drying (touch dry in 1-6 days depending on colour & film thickness).

Resists yellowing.

Not suitable as a varnish or final coat.

Modeling Gel Gloss - 250ml

Tri-Art

$14.99

In stock Low stock Unavailable

Silicone oil - 50ml

Pebeo Canada

$9.99

In stock Low stock Unavailable

Pébéo Silicone Oil is an additive for acrylic colours, used in combination with the Studio Acrylic Pouring Medium to enhance cell creation while paint pouring. Simply add a few drops to the paint and medium mixture, and adjust according to the desired effect. The dropper in the cap allows for precise placement and dosage.

Gloss Varnish - 473ml

Liquitex

$44.99

In stock Low stock Unavailable

Seal your acrylic works with a transparent, gloss acrylic layer which is breathable, permanent and protects against UV damage. Offering excellent levelling properties, Liquitex Gloss Varnish dries clear to a flexible, non-tacky, hard surface that will not hold brush marks. Designed for interior and exterior use, it is suitable for flexible and rigid supports. Use with acrylic paints and mediums on all acrylic surfaces. Specifications: 100% acrylic polymer varnish, lightfast and archival, permanent, non-yellowing, flexible and non-cracking, water-resistant when dry, intermixable with all Liquitex materials.

Medium Gel Glass Beads Texture - 237ml

Liquitex

$24.99

In stock Low stock Unavailable

Glass Bead Gel is a medium which contains round, clear, glass beads and dries with a glossy finish. It allows for the creation of unique texture effects.

It can be mixed with colours or used as a background for acrylic, oil and oil pastel works.

Flexible and adhesive, it does not crack, is light and dries into a water resistant surface which does not yellow. It can be mixed with other textured gels and mediums to create a range of textures.
Uses :
May be painted once dry.

May be mixed with transparent or translucent colours and applied to dry paint.

Important information :
Suitable for acrylic and oil.
Non toxic.
May be sensitive to abrasion. For protection, cover with a coat of varnish.
Supports : suitable for most supports: canvas, cardboard, wood, etc.

Clear tar acrylic gel - 8 oz

Golden

$24.99

In stock Low stock Unavailable

Golden Clear Tar Gel is a colorless gel with extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with acrylic paints or mediums, offering a full range of colors with which to work. The texture of the medium being similar to the consistency of honey allows for better leveling and less brush-strokes.

Drying time: Dependant on thickness of application

Opacity: Transparent

Qualities: 100% acrylic polymer

Clean up: Soap and water

General Information:

To create thin lines dip a palette knife or other tool into the gel and paint mixtures then move it quickly over a surface. The line thickness can be controlled by the size of the tool and the speed with which it is moved.

In thicker layers and pours, fine lines can develop in the surface during drying. To avoid this, keep fluid applications less than 1/8” in thickness and completely level throughout the drying process.

When mixing this medium allow bubbles to rise to the surface. Generally, mixtures with Clear Tar Gel should sit for at least 24 hours to become bubble-free.

Do not mix with oils. Paint on any non-oily surface. Abrade non-absorbent surfaces for increased adhesion. Avoid freezing. Minimum film formation temperature is 48 °F/9 °C.

To thin, add water or acrylic mediums.

Note: Larger additions of acrylic paints and mediums will increasingly lower the stringy nature of Clear Tar Gel.

Pastel Freezer - 200 ml

Clairefontaine

$34.99

In stock Low stock Unavailable

Innovation revolutionises pastels! This liquid solution freezes pigments so you can rework them over and over again: dry pastel, charcoal, graphite pencil, chalk, red chalk. It's also easy to transport rolled or stacked work without damaging it. For use on all types of surfaces: paper, Pastelmat, canvas, etc. This solution enhances the dark tones of Pastelmat paper without altering pigment nuances. A must-try!

Art Masking Fluid - 75ml

Winsor & Newton

$24.99

In stock Low stock Unavailable

Art Masking Fluid is a pigmented liquid composed of rubber latex and pigment. It can be used for masking areas of work needing protection when colour is applied in broad washes.

Tips:

Do not apply on damp or soft-sized paper
Remove as soon as possible after application
Brushes can be cleaned with water if washed immediately after use

Gamvar Satin - 125ml

Gamblin

$24.99

In stock Low stock Unavailable

Gamvar Picture Varnish saturates and adds greater depth to the colours in your painting, giving it a unified and protective matte, semi-gloss or satin surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Virtually odourless, it can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.

Self leaveling clear gel - 16 oz

Golden

$44.99

In stock Low stock Unavailable

Self-Leveling Clear Gel is an acrylic medium designed to produce an even film with excellent clarity. This product can be used as an alternative to resin to create a level glasslike finish for acrylic paintings. It has a unique resinous and stringy consistency which dries to a flexible, high gloss film. This product can be used to increase transparency and sheen of acrylic paints while imparting a leveling quality. It produces a film with excellent chemical, water, and ultraviolet resistance.

Qualities:

Milky white when wet, the gel becomes transparent when dry.
Mix with acrylic colors, gels or mediums. To thin, add water or acrylic mediums.
Do not mix with oils. Paint on any non-oily surface. Non-absorbent surfaces should be abraded for increased adhesion. GOLDEN Acrylics dry quickly and may be painted over immediately, yet complete drying will take longer. Avoid freezing of the acrylics. Minimum film formation temperature is 48° F/9 ° C. Clean tools with soap and water. Keep tools wet during use.

Drying time: Dependant on thickness of application

Opacity: Transparent

Finish: High gloss

Composition: 100% acrylic polymer emulsion

Clean up: Soap and water

4-Pack ResinTint - Metallics

Artresin

$42.99

In stock Low stock Unavailable

ResinTint premium liquid pigment colorants are crafted for compatibility with ArtResin for rich saturation and glorious deep hues. Perfect for creating abstract pour paintings or marbled effects with ease. All ResinTints are highly concentrated, so a little goes a long way!

The Metallics pack includes 4 colours (0.5 oz): Gold, Bronze, Silver, Metallic White.

Medium Gel String - 237ml

Liquitex

$24.99

In stock Low stock Unavailable

Liquitex string gel may be added to acrylic colours to increase their depth and transparency, to make the spreading of colour easier and to create original effects. Of consistency similar to liquid honey, this gel is glossy and transparent once dry. Flexible and adhesive, it does not crack, it’s light and dries into a water-resistant surface that won’t affect colours or yellow. Offered in 8 oz (237 ml) and 16 oz (473 ml) format. Do not mix with oil

Walnut oil - 120ml

Demco Encouleurs Inc.

$16.99

In stock Low stock Unavailable

A preferred medium in ancient art, walnut oil can be added to paint to slow drying, improve application and increase shine. An excellent medium for oil painting.

Glazing gloss medium - 8 oz

Golden

$19.99

In stock Low stock Unavailable

Golden brand liquid glazes help create glazes for faux finis on paintings, furniture or walls.

It can be mixed with all types of acrylics, and increases work time by slowing the drying process. Before use, its aspect is of a milky white colour, but becomes transparent as it dries.
Offers a useful and reliable alternative to interior decorators, which often have to use solvent-based paints. Available in glossy, marble or satin finishes in 250-ml (8 oz) and 500-ml (16 oz) sizes.

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Mediums, Varnishes & Resins: Extend What Paint Can Do

Mediums, varnishes and resins are the tools that give artists control over how paint behaves, how a finished work is protected and how surfaces are prepared. Whether you're modifying the texture or drying time of your paint, sealing a finished canvas or working with resin for mixed media, DeSerres carries a complete selection of products for acrylic, oil and watercolour painting, as well as primers, solvents and fixatives.

Finding the Right Product for Your Technique

The right medium depends on your paint and your intention. Acrylic mediums can extend drying time, add texture, increase transparency or build impasto effects. Oil mediums adjust viscosity, gloss and drying speed. Watercolour mediums enhance flow, granulation or lifting properties. Primers prepare your surface for paint adhesion. Solvents thin oil paint and clean brushes. Varnishes and fixatives protect finished work from dust, UV and moisture. Resins open up a world of mixed media and decorative possibilities. Browse our collections: Acrylic Mediums, Oil Mediums, Watercolour & Gouache Mediums, Primers, Solvents, Varnishes & Fixatives and Resins & Pigments.

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Mediums, Varnishes & Resins

Mediums, Varnishes & Resins: Extend What Paint Can Do

Finding the Right Product for Your Technique