Paint

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

Studio brand acrylics by Pébéo are ideal products for students. The colours blend well, making it easy to obtain any desired shade. Certain colours are iridescent for creative and original effects.

Studio brand acrylics by Pébéo come in a wide variety of satin-finish colours, and are lightfast and do not yellow.

Colours:62 shades.

Supports: Most surfaces, including canvas, cardboard, wood and metal.

Tool maintenance:Clean brushes with soapy water.

Drying time:About 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ ".)

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

Studio brand acrylics by Pébéo are ideal products for students. The colours blend well, making it easy to obtain any desired shade. Certain colours are iridescent for creative and original effects.

Studio brand acrylics by Pébéo come in a wide variety of satin-finish colours, and are lightfast and do not yellow.

Colours:62 shades.

Supports: Most surfaces, including canvas, cardboard, wood and metal.

Tool maintenance:Clean brushes with soapy water.

Drying time:About 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ ".)

• Does not contain any heavy metals.
• Avoid excessive temperatures for long periods.
• Short sable brushes are recommended for watercolours, due to their excellent retention capacity and softness.

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

Basics Acrylics give you the perfect balance of quality and economy. Made for all artists, Basics Acrylics are student-quality – this means they are made with the same lightfast, fine art pigments used in the Liquitex Professional range, but just a lighter load. Ideal for so many uses: if you’re a beginner, if you’re on a budget, perfect for underpainting or sketching if you’re a serious artist, and even for colour scoping and exploration if you’re a creative professional.!

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

• all Golden products are compatible
• to slow drying time, use Golden Retarder
• To dilute Golden paints, use water or mediums suited for acrylics
• Tool maintenance: clean brushes with soapy water
• Surfaces: most surfaces, including canvas, cardboard, wood and metal
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ in.)

• fluid viscosity
• fine art pigments
• highly versatile
• no dilution needed
• easy blending
• satin sheen

Daniel Smith watercolours offer a wide range of extra-fine pigments. The sheer range of possibility they offer is endless and unparalleled in the industry. These handmade pigments have superior light fastness: 233 colours have a light fastness rating of = I or II, 3 with light fastness rating = IV (Opera Pink, Alizarin Crimson and Rose madder genuine)

Unique handmade colours with authentic mineral pigments. Primatek colours are made from naturally occurring pigments, reviving a tradition of making paints the way the ancient Egyptians, Mayans and other early cultures did. The diversity is amazing, from the subtle earth tones of Hematite, Zoisite, Tiger's Eye and Sedona to the exquisite jewel shades of Rhodonite, Amazonite and Lapis Lazuli Genuine. As you paint with these colours, you'll experience something new in your watercolour mixtures and paintings!

Interference and pearlescent colours provide subtle luminosity and almost magical colour shifting effects. Made with microscopic transparent mica platelets coated with various thicknesses of titanium dioxide, Interference colors refract light in delicate tints of blue, copper, green, gold, lilac, red and silver. Applied to white paper, they’re virtually colourless, but when applied over a dark surface, they come alive with pale, shimmering colour. Pearlescent colours offer a consistent, pearly shimmer without the light-shifting quality of the Interference colours. Mix the Interference and Pearlescent colours with standard tube colours to add a wonderful sense of depth, or apply them on top of dried colour to give localized effects on subjects such as flower petals, shimmering water or plumage.

Duochrome colours offer rich, vibrant, three-dimensional colour that actually changes colours when viewed from different angles. Depending on the reflective light, each bounces between two distinctive colours for pure visual excitement. With a little experimentation, you’ll find that any of the Duochromes can illuminate, strengthen and enliven your palette.

Iridescent colours are opaque, with a more pronounced shine than the Interference and Pearlescent colors. Their colour is constant-not changing with viewing angle or light direction as with the Interference paints. Made with mica platelets coated with iron oxide, the Iridescents all have a pronounced sheen, and several of the colors have a coppery, golden or silvery luster. Try Iridescents alone or mixed with standard colours for intriguing textural effects.

• Format: 15 ml
• Highest pigmented, extra-fine colours on the market.
• Outstanding color strength when mixed with Titanium White.
• Extremely vibrant colors.
• Widest range of Quinacridone colours - 12 colors.
• 32 PrimaTek colours.
• Clear and clean washes - layers do not muddy up color.
• Superior quality control
• Widest range of colors on the market.
• Made in Seattle, WA USA

Studio brand acrylics by Pébéo are ideal products for students. The colours blend well, making it easy to obtain any desired shade. Certain colours are iridescent for creative and original effects.

Studio brand acrylics by Pébéo come in a wide variety of satin-finish colours, and are lightfast and do not yellow.

Colours:62 shades.

Supports: Most surfaces, including canvas, cardboard, wood and metal.

Tool maintenance:Clean brushes with soapy water.

Drying time:About 15 minutes for a thin coat, and about three hours for a thick coat (about ¾ ".)

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.

• Brushes can be cleaned with soapy water after use.
• Drying time: about 15 minutes for a thin coat, and about three hours for a thick coat (of about ¾ in)

The world’s first non-cadmium acrylic with the same performance, vibrancy, and lightfastness as cadmium paints. Professional quality featuring a thick consistency and a high pigment load that produces rich, brilliant and permanent colours.

Ideal for traditional art techniques, as well as for experimental, mixed media, collage and printmaking applications. Good surface drag provides excellent handling and blending characteristics with increased open-working time.

• Professional quality paint
• Exceptionally smooth, thick, buttery consistency with a satin finish
• Retains brush strokes and palette knife marks
• Flexible when dry; thick films remain free of cracks and chips

Uses and techniques:

• Impasto: Thick applications with brush stroke and knife marks
• Traditional acrylic painting on canvas or panel
• Experimental acrylic painting
• Collage and mixed media
• Acrylic printmaking, including screen printing, mono prints, block prints, etc.